Experience the future of live production with EVS at IBC2026

Robotics integrated into production workflows

Making its IBC debut, EVS’s T-Motion media production robotics portfolio will be showcased throughout the stand, highlighting how robotic systems can be seamlessly integrated into live production workflows and connected with the wider EVS ecosystem.

The showcase will feature a broad range of systems for smooth, precise camera movement across both indoor and outdoor productions, including the PT Series pan-tilt heads, Televator elevating pedestals, TeleGlide floor and ceiling rail systems, and OmniGlide roving platform, in both wired and wireless configurations. Visitors will also discover Choreon, EVS's unified robotics control platform, for orchestrating complex multi-robot environments through a single operational workflow.

Integrations with the Cerebrum broadcast control and orchestration system will demonstrate how robotic camera movements can be coordinated with other production resources from a single operational environment. X-Fly 3D cable cam will also feature at the stand, illustrating its integration with LiveCeption to bring aerial shots seamlessly into live replay and content creation workflows.

In collaboration with selected technology partners, EVS will bring innovative storytelling approaches to life, including remote-camera teleportation in XR, leveraging EVS's ARCAM 6-axis robotic camera arms and bringing together people, locations, and virtual environments in real time.

Software-defined replay expands the LiveCeption portfolio

At IBC2026, EVS will offer a first look at its software-defined replay server, extending the power of EVS replay into a more flexible deployment model. Designed to complement the existing LiveCeption portfolio, the new software-defined option brings the performance and reliability of EVS replay to a more flexible deployment model, giving broadcasters greater choice in how they deploy and scale replay operations.

EVS will also demonstrate how LSM-VIA extends beyond traditional replay operations, enabling operators to control multiple production workflows from a familiar interface. Deeper integrations across the portfolio allow users to manage replay, highlights creation, camera robotics and other production tasks more seamlessly, helping simplify operations and improve efficiency.

Other innovations will be highlighted across the LiveCeption portfolio, including enhancements to XtraMotion, LSM-VIA Zoom with automatic object tracking, and integrated remote production workflows designed to help teams create, manage, and deliver compelling live content more efficiently, regardless of location.

In sports officiating, the Xeebra showcase will include AI-powered Deblur, which enhances image clarity to support more accurate incident analysis. EVS will also demonstrate real-time ball and player tracking for assisted offside detection, giving officials the insights they need for faster and more confident decisions.

Faster workflows from live moments to published stories

VIA MAP, EVS’s media asset platform, will demonstrate how a unified environment enables live content to move more efficiently from production into editing, publishing and distribution, helping teams turn live moments into stories that can reach audiences instantly.

The IBC demonstrations will highlight cloud, hybrid and on-prem flexible deployments, enhanced newsroom workflows with deeper NRCS and MOS integrations, instant social publishing, and AI-powered workflow efficiency. Integrations with Adobe Premiere Pro, Avid Media Composer and DaVinci Resolve will also show how production and post-production teams can work more closely, in a single environment unifying the content lifecycle, from the initial live moment through to the final story.

For sports organizations, visitors will discover Match Moments, an AI-powered capability that instantly identifies key moments in live sports content, helping teams automatically turn significant moments into highlights and publish them across channels while they are still relevant.

Alongside VIA MAP, EVS will showcase Move, its all-in-a-box ingest, playout and transcoding suite, providing a fast, flexible and cost-effective toolset to help streamline the journey from live production to audience.

Connecting and scaling infrastructure, resources, and workflows

At the centre of the MediaInfra solution showcase, Cerebrum, EVS’s control and orchestration system provides a single operational layer for managing workflows and resources across multi-vendor environments. New tactile operational interfaces and dynamic resource assignment will be demonstrated, enabling resources to be allocated and reallocated as production requirements change.

This gives operators greater flexibility while helping organizations make more efficient use of their infrastructure, supporting the vision of a Dynamic Media Facility where resources can adapt seamlessly to changing production needs.

EVS will also highlight its commitment to interoperability and open standards, both at its own stand and through participation in the AMWA NMOS BCP-008 Minimum Status Reporting demonstrations on the EBU stand (10.D21). EVS is implementing BCP-008 as part of its endpoint monitoring strategy, enabling Cerebrum to present consistent status information across devices from multiple vendors and providing operators with a more unified view of infrastructure health and operational status.

EVS will additionally showcase its Flexible Control Room (FCR) solution, combining Cerebrum orchestration with the Tactiq user interface to provide a more user-centric approach to control room operations and production management.

Finally, EVS will preview the next generation of its Neuron software-defined media processing platform, designed to deliver four times the processing density of the current generation, bringing greater scalability and efficiency to demanding live production environments while maintaining EVS’s reliability.

Meet EVS at IBC 2026

Discover EVS’s latest innovations at stand 7.B11 during IBC2026, from 11 to 14 September at the RAI, Amsterdam.